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Surikov is a true Russian painter. The formal side is subordinate to the substantive. This is necessary in order to create a general poetic impression among the audience. He was able to completely neglect the beauty of the forms that were characteristic of academicism. The artist was completely surrendered to the power of his inspiration. He was constantly in search of something special and completely new.
The painter managed to find the charm that was characteristic of the creations of the masters of antiquity. The most valuable thing in Surikov is the incredible depth of mystical poetry. His paintings are real dreams filled with magic. The viewers are presented with visions that are so convex and bright that it seems that they are truly prophetic.
We see a boundless steppe with grazing horses. It is so vast that it seems to merge with the sky. Horse figures are not so clearly spelled out. They merge with the steppe grass. The artist skillfully uses the palette, creating workshops with smooth transitions of green and brown. The clear boundaries between the shades are invisible. Surikov tried to convey the breadth of the Russian steppe with the help of correctly selected flowers.
Plains in the foreground are replaced by hills - in the background. The light blue sky with cumulus clouds is almost merged on the horizon with the steppe.
Surikov did not just portray nature. In his picture, he makes the audience feel his attitude towards her. In a seemingly familiar and everyday picture, there is a deep meaning that not everyone can see. Only a true master can do this, for whom all the details are significant.
Surikov deliberately does not prescribe individual trees and horses. By this, he emphasizes the homogeneity of this vast space. Everything here is significant as one huge whole. The steppe lives its own life. Viewers feel this, looking at the picture of the great painter.
Description Pictures For Yuon End of Winter Midday